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Criteria

What we look for.

Our published criteria for secondary-market acquisitions, the same as on caldrion.com: value, provenance, condition, market, authenticity and transaction.

Criteria

Criteria at a glance

Secondary-market acquisitions. Advisors and gallerists are protected.

Value
$250K–$10M+Per work or item
Provenance
Unbroken chain of titleFully documented, including literature and exhibition history
Condition
Museum qualityCondition report required for every acquisition
Market
Liquid secondary marketArtist or maker with established auction records
Authenticity
Certificate of authenticityMandatory, from a recognized foundation or expert
Transaction
Private treatyAlso auction guarantees and estate liquidations

Our emerging-artist patronage acquires directly from primary galleries and degree shows and is not subject to these thresholds. We aim to give initial feedback within 72 hours of receiving a complete package. Check fit on caldrion.com.

01How to read them

Guides, not rules.

These criteria apply to secondary-market acquisitions of $250K–$10M+ per work or item. They guide where we spend our time and are not a promise to buy; every acquisition is decided by Caldrion’s investment committee. Our emerging-artist patronage acquires directly from primary galleries and degree shows and sits outside these thresholds.

Caldrion is a single family office: it invests only its own capital, has no outside investors or clients, and does not offer securities.

02What to send

A complete package.

Links, not files. A complete package gets the fastest answer.

  • Link to high-resolution images (front, verso, and signatures or hallmarks)
  • Link to detailed provenance and exhibition history
  • Link to a recent condition report
  • Asking price or valuation rationale

03Outside our mandate

What we don’t do.

  • Works without a documented, unbroken chain of title.
  • Works without a certificate of authenticity from a recognized foundation or expert.
  • Works subject to restitution claims, liens or unresolved questions of ownership.
  • Works or objects without a condition report, or whose condition falls short of museum quality.
  • Artists or makers without an established auction record (outside our emerging-artist patronage).
  • Cultural property that cannot be shown to have been exported and imported lawfully.
  • Fractional interests, shares in pooled art vehicles or tokenized claims on a work: we buy the work itself, as principal.
  • Advisory, valuation or brokerage services: we buy for our own collection and do not act for others.

Criteria

Considering a private sale?

We acquire discreetly, as principal, and pay promptly. Tell us about the work, its provenance and its condition, and you will hear from the people who decide.